Louis Lumiere & Auguste Lumiere

Louis Jean Lumiere
Louis Jean (5 October 1864, Besançon, France – 6 June 1948, Bandol), were among the earliest filmmakers in history. (Appropriately, "lumière" translates as "light" in English.)

Auguste Marie Louis Nicolas

The Lumière brothers, Auguste Marie Louis Nicolas (19 October 1862, Besançon,France – 10 April 1954, Lyon)

HISTORY

The Lumière brothers were born in Besançon, France, in 1862 and 1864, and moved to Lyon in 1870, where both attended La Martiniere, the largest technical school in Lyon.[3] Their father, Claude-Antoine Lumière (1840–1911), ran a photographic firm and both brothers worked for him: Louis as a physicist and Auguste as a manager. Louis had made some improvements to the still-photograph process, the most notable being the dry-plate process, which was a major step towards moving images.

It was not until their father retired in 1892 that the brothers began to create moving pictures. They patented a number of significant processes leading up to their film camera - most notably film perforations (originally implemented by Emile Reynaud) as a means of advancing the film through the camera and projector. Thecinématographe itself was patented on 13 February 1895 and the first footage ever to be recorded using it was recorded on March 19 1895. This first film shows workers leaving the Lumière factory.

FIRST FILM SCREENING

The Lumières held their first private screening of projected motion pictures in 1895. Their first public screening of films at which admission was charged was held on December 28, 1895, at Salon Indien du Grand Café in Paris. This history-making presentation featured ten short films, including their first film, Sortie des Usines Lumière à Lyon (Workers Leaving the Lumière Factory). Each film is 17 meters long, which, when hand cranked through a projector, runs approximately 50 seconds.

It is believed their first film was actually recorded that same year (1895) with Léon Bouly'scinématographe device, which was patented the previous year. The cinématographe — a three-in-one device that could record, develop, and project motion pictures — was further developed by the Lumières.

The public debut at the Grand Café came a few months later and consisted of the following ten short films (in order of presentation):

1. La Sortie de l'Usine Lumière à Lyon (literally, "the exit from the Lumière factories in Lyon", or, under its more common English title, Workers Leaving the Lumiere Factory), 46 seconds
2. La Voltige ("Horse Trick Riders"), 46 seconds
3. La Pêche aux poissons rouges ("fishing for goldfish"), 42 seconds
4. Le Débarquement du Congrès de Photographie à Lyon ("the disembarkment of the Congress of Photographers in Lyon"), 48 seconds
5. Les Forgerons ("Blacksmiths"), 49 seconds
6. Le Jardinier (l'Arroseur Arrosé) ("The Gardener," or "The Sprinkler Sprinkled"), 49 seconds
7. Le Repas ("Baby's Breakfast"), 41 seconds
8. Le Saut à la couverture ("Jumping Onto the Blanket"), 41 seconds
9. La Place des Cordeliers à Lyon ("Cordeliers Square in Lyon"--a street scene), 44 seconds
10. La Mer (Baignade en mer) ("the sea [bathing in the sea]"), 38 seconds

The Lumières went on tour with the cinématographe in 1896 - visiting Bombay, London, New York and Buenos Aires.

The moving images had an immediate and significant influence on popular culture with L'Arrivée d'un Train en Gare de la Ciotat (literally, "the arrival of a train at La Ciotat Station", but more commonly known as Arrival of a Train at a Station) and Carmaux, défournage du coke(Drawing out the coke). Their actuality films, or actualités, are often cited as the first, primitive documentaries. They also made the first steps towards comedy film with the slapstick of L'Arroseur Arrosé.